French Impressionism [�k��L�H��]
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An impressionistic painting, Starry Night (1889), by Van Gogh
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Claude Debussy (1862-1918) and Maurice Ravel (1875-1937) were the two representatives of French impressionism.
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Impressionistic composers strive to suggest a mood or quality instead of a very clear and well-delineated [�蹺] idea.
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Their music focuses on developing musical images (as if you are seeing a picture while you are listening to the music) through motives, harmony, exotic scales (e.g. whole-tone [������], octatonic [�K����], and pentatonic [������] scales), instrumental timbre (the sound quality of instruments).
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Atonal [�L�թÊ���]/Post-tonal Music [��թÊ���]: Serialism [�ǦC���֥D�q]
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The maestro of serialism, Arnold Scheonberg
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The representative of serialism is Arnold Schoenberg (1874-1951) who was notorious [�X�F�W��] in writing atonal music (music avoiding the establishment of any note as a tonal center).
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Schoenberg was so compelled [�P�쥲��] to abandon [���] tonality in part because it could make music more liberated [�Ѳ�] or in his words, 'emancipation' [�ѩ�].
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Furthermore, he created pitch-class sets which contained three or more pitches and these pitch-class sets could be transposed [�ܽ�], inverted [�˸m], and arranged in any order and register to generate melodies and harmonies. It is Schoenberg��s equivalence to the Romantic motives.
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Neo-classicism in Russia [�Xù���s�j�嬣]
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A ballet based on 'Rite of Spring' by Stravinsky
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Neo-classicism �V the use of classical genres and forms, tonal centers, and common-practice harmonies, allied with emotional restraint [�J��] and a rejection [���] of Romantic excess �V became the prevailing [���檺] trend in France after the First World War, one associated with patriotism [�R��D�q].
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This ideology of composition gradually spread to Russia and influenced Igor Stravinsky (1882-1971).
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Stravinsky was a nationalist [���ڥD�q��] and his music was distinctive with his use of unpredictable [���N���w��] accents and rests or through rapid changes of meter, together with colorful use of instruments.
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Fun Facts
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John Cage (1912-1992) was a leading composer and philosopher [���Ǯa] in the post-modern period. In one of his music, he was influenced by the idea of chance [�i���] expounded [����] in the ancient Chinese book of prophecy I-Ching (Book of Changes). He tossed coins six times to determine the answer from a list of sixty-four possibilities.
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Food
for Thought
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Most music in the twentieth century or post-twentieth century is not pleasant to common ears. Why do you think composers still strive to write huge amount of ��unpleasant�� music?
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Among the three musical schools we introduced earlier: impressionism, serialism, and neo-classicism, which of them you like best and why?
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Music
Examples
Debussy: Suite bergamasque - 3. Clair de lune (1890-1905)
http://www.youtube.com/watch?v=TJCLiam3Am4
Arnold Schoenberg, Transfigured Night Op. 4 (1899)
http://www.youtube.com/watch?v=ohaKpIYg3ow
Igor Stravinsky - The Rite of Spring
http://www.youtube.com/watch?v=aGFRwKQqbk4
John Cage "4'33" (really funny piece in which the orchestra plays nothing in 4'33")
http://www.youtube.com/watch?v=hUJagb7hL0E
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